{"id":167,"date":"2025-03-30T11:12:18","date_gmt":"2025-03-30T11:12:18","guid":{"rendered":"http:\/\/localhost\/paint-job\/?page_id=167"},"modified":"2025-04-01T19:38:59","modified_gmt":"2025-04-01T19:38:59","slug":"about","status":"publish","type":"page","link":"https:\/\/paint-job.com\/index.php\/about\/","title":{"rendered":"About"},"content":{"rendered":"\n

Tomas Sinkevi\u010dius and Vilt\u0117 Bra\u017ei\u016bnait\u0117 have been working together since 2014. Artist duo make work on the interlinked subjects of late capitalist consumption and climate anxiety in a world full of planetary shifts. With attention to the numerous possibilities of digital culture, the artists adapt multiple technologies to shed light on the ongoing destruction of our environment by anthropogenic pollution.<\/p>\n\n\n\n

Whether through films, photographs, sculpture and installations, Bra\u017ei\u016bnait\u0117 and Sinkevi\u010dius show how deeply, and irrevocably, our dependence on and manipulation of life-forms have altered planetary life today. In making their work, the artists point to the necessity for a deep rooted ethico-political reinvention of life that would require systemic change beyond mangled technological fixes.<\/p>\n\n\n\n

<\/div>\n\n\n\n

Tomas Sinkevi\u010dius <\/strong> (b. 1991, Bir\u0161tonas, Lithuania)<\/p>\n\n\n\n

tomas.skv@gmail.com<\/a><\/p>\n\n\n\n

2010\u20132014 BA in Photography and Media Art, Vilnius Academy of Art, Lithuania
2014\u2013 2016 MFA, Konstfack, Sweden<\/p>\n\n\n\n

<\/div>\n\n\n\n

Vilt\u0117 Bra\u017ei\u016bnait\u0117<\/strong> (b. 1991, Vilnius, Lithuania)<\/p>\n\n\n\n

vbraziunait@gmail.com<\/a><\/p>\n\n\n\n

2010\u2013 2014 BA in Photography and Media Art, Vilnius Academy of Art, Lithuania
2015\u2013 2017 Akademie der bildenden K\u00fcnste Wien
2015\u2013 2018, MA in Contemporary Sculpture, Vilnius Academy of Art, Lithuania<\/p>\n\n\n\n

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Solo shows<\/strong><\/p>\n\n\n\n

2024 Pilot<\/em>, Vienna, Austria (upcoming)

2023 Temporary Secretary<\/em>, Stockholm, Lithuania<\/p>\n\n\n\n

2020 Soft Target<\/em>, apiece, Vilnius, Lithuania<\/p>\n\n\n\n

2018 Cold Blooded<\/em><\/a>, Editorial, Vilnius, Lithuania<\/p>\n\n\n\n

2018 Skinny Dip<\/em><\/a>, Studio17, Stavanger, Norway<\/p>\n\n\n\n

2018 Birgit J\u00fcrgensen Prize: Paint Job<\/em><\/a>, Vienna Art Academy, Austria<\/p>\n\n\n\n

2018 Paint Job<\/em><\/a> at Klubovna, Brno, Czech Republic<\/p>\n\n\n\n

2016 Born Brilliant<\/em>, Konstfack, Sweden<\/p>\n\n\n\n

2015 POP UP Show<\/em><\/a>, Umiotovski\u0173 r\u016bmai, Vilnius, Lithuania<\/p>\n\n\n\n

2014 A Romance of Many Dimensions<\/em><\/a>, Post galerija, Kaunas, Lithuania<\/p>\n\n\n\n

2014 A Romance of Many Dimensions<\/em>, JMVMC, Vilnius, Lithuania<\/p>\n\n\n\n

<\/div>\n\n\n\n

Group shows<\/strong><\/p>\n\n\n\n

2021 Odd Attractor<\/em><\/a> at Galerija VARTAI, Vilnius<\/p>\n\n\n\n

2021 Dissolving matter and value<\/em><\/a>, <\/em>Lothringer 13 Halle, Munich<\/p>\n\n\n\n

2021 Embrassement<\/em>, Galerija VARTAI, Vilnius<\/p>\n\n\n\n

2020 Palydos<\/em>, group exhibition at Swallow, Vilnius, Lithuania<\/p>\n\n\n\n

2020 Spectrum<\/em><\/a>, Galerija VARTAI, Vilnius, Lithuania<\/p>\n\n\n\n

2020 Timemaker<\/em><\/a>, <\/em>Pamarys Gallery, Juodkrant\u0117<\/p>\n\n\n\n

2020 Group show<\/a> at UNA, Piacenza, Italy<\/p>\n\n\n\n

2019 Inner Pockets<\/em><\/a>, Editorial, Vilnius, Lithuania<\/p>\n\n\n\n

2019 Artissima Art Fair<\/em><\/a>, Turin, Italy<\/p>\n\n\n\n

2019 The E.N.D<\/em><\/a>, Fonda, Leipzig, Germany<\/p>\n\n\n\n

2019 XVII Century<\/em><\/a> <\/em>at Autarkia, Vilnius, Lithuania <\/p>\n\n\n\n

2019 FuelSave<\/em><\/a>, Vienna, Austria<\/p>\n\n\n\n

2019 Watery Eyes<\/em><\/a>, <\/em>Galleri Box, G\u00f6teborg, Sweden<\/p>\n\n\n\n

2019 Animal-Human-Robot<\/em><\/a>, MO Museum, Vilnius, Lithuania <\/p>\n\n\n\n

2018 Antarctica<\/em><\/a>, Kunsthalle Wien, Vienna, Austria<\/p>\n\n\n\n

2018 Here and now<\/em><\/a>, Moscow Manege, Russia<\/p>\n\n\n\n

2018 Name of an Animal: A film and video programme<\/em><\/a>, <\/strong>Contemporary Art Centre, Vilnius, Lithuania<\/p>\n\n\n\n

2018 Abracadabra<\/em><\/a>, Moscow International Biennale for Young Art, Russia<\/p>\n\n\n\n

2018 Meno Cel\u0117s\u201918: Viltis<\/em><\/a>, Titanikas, Vilnius, Lithuania<\/p>\n\n\n\n

2018 Mesh – A Nordic video art marathon<\/em><\/a>, Galleri CC, M\u00e4lmo, Sweden  <\/p>\n\n\n\n

2018 Afterwork<\/em><\/a> video screening at Austrian American Short Film Festival, Austrian Cultural Forum, New York, USA<\/p>\n\n\n\n

2017 Parade<\/em><\/a>, Klaip\u0117da Culture Communication Center, Lithuania<\/p>\n\n\n\n

2017 Chewing Gum That Never Loses Its Flavor<\/em><\/a>, Platform, Stockholm, Sweden<\/p>\n\n\n\n

2017 Posthuman Complicities<\/em><\/a>, xhibit art space, Vienna, Austria<\/p>\n\n\n\n

2017 Body and Darkness<\/em><\/a>, Galerija VARTAI, Vilnius, Lithuania<\/p>\n\n\n\n

2016 Shallow, Quick and Not Yet Titled. JCDecaux Award<\/em><\/a> <\/em>Contemporary Art Centre, Vilnius, Lithuania<\/p>\n\n\n\n

2016 Born Brilliant<\/em><\/a>,<\/em> Konstfack, Stockholm, Sweden<\/p>\n\n\n\n

2015 BRINGSURFACE<\/em><\/a>, Malonioji 6, Vilnius, Lithuania<\/p>\n\n\n\n

2015 Hungry Eyes<\/em><\/a>, Platform, Stockholm, Sweden<\/p>\n\n\n\n

<\/div>\n\n\n\n

Publications<\/strong><\/p>\n\n\n\n

2019 Exhibition catalogue Animal-Human-Robot<\/em><\/a>, <\/em>MO Museum, Vilnius, Lithuania<\/p>\n\n\n\n

2019 Exhibition review \u201cAntarctica. An Exhibition<\/em> on <\/em>Alienation<\/em><\/a>\u201d at Kunsthalle Wien by Max L. Feldman on moussemagazine.it<\/p>\n\n\n\n

2018 Exhibition catalogue Antarctica. An Exhibition<\/em> on <\/em>Alienation<\/em><\/a>, Kunsthalle Wien, Vienna, Austria<\/p>\n\n\n\n

2017 Part of the issue The Artificial Question<\/em><\/a> by Linas Kmieliauskas, N WIND magazine<\/p>\n\n\n\n

2017 Exhibition review K\u016bno kult\u016bra akt\u0173 sal\u0117je<\/em>. Paroda \u201eK\u016bnas ir tamsa\u201c galerijoje \u201eVartai\u201c<\/a> on artnews.lt<\/p>\n\n\n\n

2017 Exhibition catalogue Shallow, Quick and Not Yet Titled. JCDecaux Award<\/em><\/a>, Contemporary Art Centre, Vilnius, Lithuania<\/p>\n\n\n\n

2016 Publication in POP UP Show <\/em><\/a>Exhibition catalogue, Vilnius, Lithuania<\/p>\n\n\n\n

2015 Interview<\/em><\/a> with Jogint\u0117 Bu\u010dinskait\u0117 on artnews.lt<\/p>\n\n\n\n

2015 Displace: A Migrating Art Academies compendium of ideas,<\/em> Migrating Art Academies, Vilnius, Lithuania<\/p>\n\n\n\n

2012 Publication in Art\u016bras Raila book Antisportas<\/em><\/p>\n\n\n\n

<\/div>\n\n\n\n

Grants<\/strong><\/p>\n\n\n\n

2020 Lithuanian Council for Culture Individual Grant<\/p>\n\n\n\n

2019 Lithuanian Council for Culture Individual Grant<\/p>\n\n\n\n

2018 Birgit J\u00fcrgenssen Preis, Austria<\/p>\n\n\n\n

2018 Lithuanian Council for Culture Individual Grant<\/p>\n\n\n\n

<\/div>\n\n\n\n

Workshops\/residencies<\/strong><\/p>\n\n\n\n

2023 Water Narratives<\/em>, FMMK, Vilnius, Lithuania<\/p>\n\n\n\n

2019 AIR Krems<\/em><\/a>, Austria<\/p>\n\n\n\n

2018 Residency at Rupert<\/a>, Vilnius, Lithuania <\/p>\n\n\n\n

2014 Nida Refresh<\/em><\/a>, Nida Art Colony, Nida, Lithuania<\/p>\n\n\n\n

2014 state in between<\/em><\/a>, OKK\/Raum 29, Berlin, Germany<\/p>\n","protected":false},"excerpt":{"rendered":"

Tomas Sinkevi\u010dius and Vilt\u0117 Bra\u017ei\u016bnait\u0117 have been working together since 2014. Artist duo make work on the interlinked subjects of late capitalist consumption and climate anxiety in a world full of planetary shifts. With attention to the numerous possibilities of digital culture, the artists adapt multiple technologies to shed light on the ongoing destruction of […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-167","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/paint-job.com\/index.php\/wp-json\/wp\/v2\/pages\/167","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/paint-job.com\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/paint-job.com\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/paint-job.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/paint-job.com\/index.php\/wp-json\/wp\/v2\/comments?post=167"}],"version-history":[{"count":6,"href":"https:\/\/paint-job.com\/index.php\/wp-json\/wp\/v2\/pages\/167\/revisions"}],"predecessor-version":[{"id":466,"href":"https:\/\/paint-job.com\/index.php\/wp-json\/wp\/v2\/pages\/167\/revisions\/466"}],"wp:attachment":[{"href":"https:\/\/paint-job.com\/index.php\/wp-json\/wp\/v2\/media?parent=167"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}